New Album


This CD contains the music of a room-filling, site specific sound installation with a compositional structure and external design which work together to suggest the original historical function of the building. The music is divided into three thematic sections, which refer to the borderline psychological experiences associated with the chapel’s past.
Vom 10.-18.9.2021 wird im Fuldataler Ortsteil Rothwesten, genauer gesagt am Häuschensberg unterhalb der Volkssternwarte das RadarVision Open-Air-Festival stattfinden! Zur Eröffnung am Fr. den 10.9.21 ab 18h spielt das VW Soundorchester, welches Industrieklänge mit Jazz, Rock und Fusion-Improvisationen verbindet! Am gleichen Tag ab 21h rocken “The Schröders” die Open Air Bühne, manchen von Euch bekannt als “Sticky Fingers” bzw die Nachfolgeband von Rendezvous”! - Außerdem präsentiert das “Kollektiv Eigenklang” einen kleinen Vorgeschmack auf die Performance-Installation, die am Samstag ganztägig zu erleben sein wird! Das wird also schonmal ein ziemlich heißer Festival-Auftakt! [more]
Classic black and white photographs by Berlin photographer Gerd Pilz, which are mainly created by analogue means (exposure, film, paper, chemicals, experiments), are musically interpreted by composed sounds, which are realised by sound artist Wolfram Spyra by likewise analogue sound generators (generators, tape, filters, metal instruments)! In addition to the photographic exhibits, a small collection of historical cameras, light meters, lenses, filters and phototechnical laboratory equipment from the GDR photo studio Gangelmayer in Calau will be presented in a kind of mixture of laboratory situation and museum presentation. Gallery visit on request: 0177 - 5 57 6 0 68 [more]
Sounds picked up from the immediate environment by a microphone, are relayed via a customized high voltage amplifier to insulated contact plates which form the seat and back of the Electroacoustic Chair. The input signal from the microphone is transformed into a high voltage potential which has the possibility to be experienced as an electric shock on making contact with the chair. The work gives physical presence to the dimension of sound and explores the persecutory effects of environmental noise. [more]
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