A fourteen part sound exhibition which ran for one hundred days during documenta 10 & 11. The garden environment in which the show was mounted not only posed questions concerning the context in which art is shown, but also offered a space for communicative collision. A garden motif was used both in the presentation of the sonic installations and in the adapted sonic objects displayed, eg: wheelbarrow, water butt, flowerpots & sunlounger.

A series of experimental performances and headphone concerts ran during the evening throughout the duration of the exhibition.